FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
Mischa Pearlman
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Reviews
Skullcrusher, “Storm in Summer”

Helen Ballentine’s sophomore EP is just as resplendent and poignant as that first release.

April 23, 2021
Reviews
Flock of Dimes, “Head of Roses”

On the outfit’s second LP, Jenn Wasner refrains from giving in entirely to obvious melodies and instrumentation.

April 22, 2021
Feeling Spaced: 25 Years of Modest Mouse’s “This Is a Long Drive for Someone with Nothing to Think About”

A quarter of a decade on, the band’s debut remains a worthy companion for both aimless road trips and personal crossroads.

April 16, 2021
Reviews
Corvair, “Corvair”

This self-titled debut draws on the members’ vast pool of experience, as well as the chemistry of their intertwined personal lives.

April 13, 2021
Reviews
The Clean, “Mister Pop” [vinyl reissue]

This 2009 LP is a reinforcement of The Clean’s rightful place in the pantheon of quirky alternative rock.

March 25, 2021
In Conversation
In Conversation: Ben Howard on the Unlikely Tales of “Collections From the Whiteout”

The songwriter discusses his new Aaron Dessner–produced LP and the unreal times that inspired it.

March 24, 2021
Reviews
Chad VanGaalen, “World’s Most Stressed Out Gardener”

VanGaalen’s seventh proper studio album is pure nourishment for the soul—the sound of nature taking over again.

March 22, 2021
Reviews
Future Teens, “Deliberately Alive”

The bummer-pop quartet’s latest is an EP of feelings, memories, regrets and hope of actively seeking the elixir for life’s hardships.

March 12, 2021
In Conversation
In Conversation: Frank Watkinson on Cheering Viewers Up with Sad Songs

The viral YouTube covers artist humbly discusses his unexpected rise to online stardom.

March 11, 2021
Reviews
Mogwai, “As the Love Continues”

While the amusement value of the track list is high, the music lags behind at times.

February 19, 2021
Reviews
God Is an Astronaut, “Ghost Tapes #10”

This is the sound of a band burrowing deep into the heart of its genre, ripping it apart and reviving.

February 16, 2021
The Drives’ “The Comedown” Offers a Little Optimism Even as It Acknowledges the Hurt

The LA rockers kick off 2021 with an upbeat—though emotionally complex—single.

January 29, 2021
Reviews
Speed Stick, “Volume One”

The debut from the avant-garde supergroup demonstrates the power of collaboration, but struggles with cohesion and emotional drive.

January 22, 2021
Reviews
The Dirty Nil, “Fuck Art”

The Canadian punks’ pugnacious third LP is also their most tender and nuanced release yet.

January 15, 2021
Reviews
Emma Ruth Rundle & Thou, “The Helm of Sorrow”

The doomy pair share more mournful explosions of existential tragedy and aggressive solemnity that transcend genre.

January 15, 2021
Reviews
The Kills, “Little Bastards”

This B-sides comp demonstrates the one-dimensionality at the heart of the rock duo’s two-decade career.

December 15, 2020
Reviews
The Coathangers, “The Coathangers” (Deluxe Edition)

The Atlanta garage rockers’ debut is the sound of four women who don’t give a damn for convention or perception.

December 11, 2020
Reviews
The War on Drugs, “Live Drugs”

The songs on the group’s first live album sound more lush and textured than they do on their recorded counterparts.

November 30, 2020
Reviews
Soul Glo, “Songs to Yeet at the Sun”

At under 12 minutes, the Philly hardcore band all punch hard while documenting what it’s like to be a Black band in a white scene.

November 09, 2020
Reviews
Jeremiah Sand, “Lift It Down”

The “Mandy” tie-in record convincingly blurs the line between truth and fiction with songs that, on their own merits, are actually pretty cool.

November 05, 2020
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